INTRODUCING: THE ASCENSION

We meet the women of The Ascension, aka DJ and producer Charisse C and interdisciplinary artist and vocalist Koek Sista. Bonding over a shared passion for Southern African electronic music and the desire to push it beyond its current boundaries, DJ Charisse C connected with the performer Koek Sista during the pandemic and since they’ve gone from strength to strength, with their creative coalition, they’ve conquered, performing at some of the best london locations, with their explosive viral Boiler Room debut leading to a string of performances from the V&A to Fabric, Tate Modern to KOKO, Somerset House to the Southbank Centre.

We discuss how they established their partnership, newest track “I Said what I Said” & the up-coming EP release!

Interview — Sophie Emmett

Hi Charisse C and Koek Sista, how are you both today?

Super excited for our second single I Said What I Said to be out in the world!

You’ve been working together under The Ascension for the last two years, how did your partnership come about?

We met online, and then in real life during the lockdown. I (Charisse C) had been playing Koek Sista’s music on my Abantu radio show, and had interviewed her best friend DBN Gogo. Koek Sista was moving to the UK, and reached out to me, we connected and instantly clicked. Our conversations about life and music eventually led to us exploring this live performance idea at Pirate Studios and then rehearsing for our first live performance (the Boiler Room) three months later.

“I Said What I Said” marks your second single release together, the lyrics are telling a story of vulnerability in relationships, when it comes to song- writing is this a collaborative experience?

SIt’s different for every song; for “I Said What I Said”, Koek Sista came into the studio with something to get off her chest and wrote the hook while producer ZVRI was clicking through some of the beats he wanted us to work on; vocalist DemiMa then added the isiZulu verse in a sort of response to what Koek Sista was saying, and the song was pretty much solid. We’ll bounce off one another in a session, sharpen bits, add bits, and help each other to build the story.

You’ve been working together under The Ascension for the last two years, how did your partnership come about?

We met online, and then in real life during the lockdown. I (Charisse C) had been playing Koek Sista’s music on my Abantu radio show, and had interviewed her best friend DBN Gogo. Koek Sista was moving to the UK, and reached out to me, we connected and instantly clicked. Our conversations about life and music eventually led to us exploring this live performance idea at Pirate Studios and then rehearsing for our first live performance (the Boiler Room) three months later.

Along with the single, you’ve announced the October release of your first EP together, are you able to sum up the mood of it, in 3 words?

Transcendental, Heartfelt, Bass-Heavy

Transcendental, Heartfelt, Bass-Heavy

Take a minute to write an introduction that is short, sweet, and to the point.

Whats been the most rewarding aspect of working together so far?

There are so many things that have been rewarding…even life-changing about working together. One thing we immediately found in each other was creative reflection–the ability to look at another woman and see parts of yourself already fleshed out and also see parts of yourself you wanted to be. I think we’ve opened up a world for each other, that we were somehow both dreaming about in different parts of the world. Being able to have sisterhood and friendship in a working partnership is a sweet deal as it means there will always, ALWAYS be room for every aspect of who we are as people and not just as musicians and creatives.

 

Most sessions start with an intention; this can be led by an idea for a story, a particular feeling or soundscape. Sometimes I (Charisse C) or Koek Sista will come into the studio with an idea, other times the idea is born during the session. There isn’t a prescribed process peruse, it all happens quite intuitively. We also respect one another creatively, and know when to let the other take lead. At the end of the day, it’s about making the best music possible and ensuring both of our energies are present.”

Most of the EP was recorded in South Africa, what did being there bring to the new music?

South Africa is such an exciting place, a real anomaly in the world. It’s a country teaming with creative and adaptational energy, sunshine, and a very buzzing groove about it. It’s hard to explain it in words. But I think what the country is at its heart, can be felt and experienced in its creative offerings–in the music. The Ascension’s soundscape is derivative of, informed by and in collaboration with the sounds that have been coming out of South Africa and so it only made sense that we make the music where it lives and breathes.

Where do you think most of the inspiration for you both is coming from for this EP?

The intersectionality of our lived experiences is really the crux of it all. Koek Sista was born in South Africa and raised in New York, Charisse C born in Zimbabwe and raised in the UK. Our shared roots in South Africa and now both being based in the UK, has made these two countries the meeting/melting point for us both.

Is there a stage / gig / festival you have your heart set on to perform at?

In 2021, Fabric collaborated with The Royal Albert Hall for a streaming series called ‘London Unlocked.’ If that was to happen in front of a real live audience, the unexpected meeting between two institutions such as Fabric and The Royal Albert Hall are the stages The Ascension dreams of. Our dream is to also curate such stages, where the unexpected comes together in harmony.

Are there any other musicians that you’d love to collaborate with?

Mansur Brown, Kelela, Ragz Originale, Rachel Chinouriri, Vigro Deep, Mdu aka TRP, Josiah De Disciple, DJ Lag and Skrillex.

What else can we expect from you in 2023 & beyond?

Our first Headline Show and touring the music!

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TEAM CREDITS

Black & White Photo - Minenhle Nene