BOY SODA

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BOY SODA aka Brae Luafalealo has been on the rise since 2019, where his early singles and signature styles had him hand selected as a part of Converse’s All Stars program. Those early original pieces of work were scattered vignettes into the flourishing creative mind of Luafalealo. As his sonic footprint began to grow, the world stopped due to the great pause. Rather than halting alongside it, he utilised the time to create his debut EP THE DISTANCE BETWEEN THINKING AND FEELING.

The project represents a conceptual wonderland of love, lust, self reflection, wrapped in a glaze of sugary pop melodies, grandiose production and a truly singular style that is impossible to pigeonhole, but perfect to listen to. THE DISTANCE BETWEEN THINKING AND FEELING saw BOY SODA make his definitive mark on the musical world, with a conceptually tight debut project that is well beyond his songwriting years.

 Despite the momentum that was brewing for BOY SODA, he instantly decided to break his comfort zone to seek new inspiration. Following his debut EP he took a career changing writing trip to London, which caused a period of reflection which led to career ambition. Inspired by London’s bustling culture and cross-pollination of music culture and taste, Brae began to rekindle his endless and inspiring pursuit of being a creative artist. 

We had the pleasure of hosting BOY SODA and his team at our Brisbane studios where we were able to chat, work, play, shoot and laugh lots with the man himself. Here is what he said to us; also enjoy the visuals we created on the day.

Interview by Mathew Siebuhr

Where does your name come from?

?

I went through a stage where I was really obsessed with neon signs, around the same time I fell in love with ‘Trapsoul’ by Bryson Tiller and all of the visuals that accompanied it. There was some random film photo that I came across of an old gas station with a blue neon sign that said ‘SODA’ at the back near the drinks fridge. It just ended up sticking at the time so I guess we’re rolling with it now.

I realised when I was younger that I really really REALLY loved the process of recording and producing from garage band. My first demo ever is a garage band project on an ipod touch haha, with vocal harmonies and everything. I recorded it in my parents walk in wardrobe with the apple earphones and that just evolved into using logic and enjoying how rewarding it was to learn new things and have tangible proof of improvement! The demo’s get better 1% at a time and it’s really nice to look back and see the maturity.

When did you realise you had a talent for making music?

Have you always had a supporting team to help you achieve your music ambitions?

At every stage of my career so far, whether it be an official team, or my mentors and collaborators, I've always had a support network around me that believes in me, inspires me and looks out for me. I’ve been extremely lucky to work and learn from the people I have crossed paths with, it’s felt very serendipitous a lot of the time.

His taste is immaculate and he’s soooo versatile, we’ve explored a few lanes together and he hits it out of the park every time.

— Boy Soda

Who are a few people who have helped take your talent and enhance it for your latest project?

I have to give love to the producers and my creative team. Finbar carries a few of the tracks, and his musicality and soul really brings the best out of me. I love to be challenged and Fin and I are really good friends so it’s productive when he says ‘that melody isn’t hitting’ because I go write something better.

Club Angel who I collaborated with on ‘Big’, did two tracks on the project. His taste is immaculate and he’s soooo versatile, we’ve explored a few lanes together and he hits it out of the park every time.

Jarryd James, who I’m such a fan of, does the Rick Rubin reducer thing in his production in the way that he reduces the ideas before they’re outputted. Everything has precise intention and execution and he orchestrates sounds in such a complimentary way, so I’ve learnt a lot from working with him.

Shoutout Tentendo for letting me in on the G-Funk wave happening over in Naarm, I didn’t know how much I was missing cowbells haha. We did a song called ‘Daisy Chain’ together and we hadn’t met until this year so it was dope to finally share space with him.

Of course my longtime friend, housemate, MD and co-producer Lovemedo who I did ‘TWENTYOH5’ with is just musically incredible & makes such prestigious art, and I’m so honoured to be able to live and create with him.

Big love to Jordan Dennis and Charbel. I’ve rarely had features in my discography so I was super particular with who I wanted to share a particular song with. It’s true artists like them that make me want to be better and challenge my standards.

Finally Dexter Lola has been my creative director across this project and they’ve been essential in helping everything feel authentic and elevated in a synonymous way. Dex has an incredible eye and it shows in the press shots, the styling, the directing/treatments and the visuals because they’ve done them all!

How did you conceive the title ‘THE DISTANCE BETWEEN THINKING AND FEELING’?

I had a few placeholder names for the project initially and they didn’t feel right so I was looking for something that felt more on the poetic side. I liked long titles like the ones that the 1975 often use for projects and songs so that led me to the title. I love the idea of trying to measure immeasurable and unquantifiable things such as thoughts and emotions and I think the impossibility of that idea really spoke to my reflection of inner-turmoil and growth that inspired the project and it’s common thread of my paradoxical self-aware thoughts haha.

Willy Shakespeare was an awesome track to be a part of. Nuxe and I had a really lovely discussion at the beginning of the session and really set the tone for the rest of the song. We were both really excited to be in the room and I’m not surprised at all that it produced a track that feels as electric as WS.

What was the underlying theme behind your latest project?

Stay up to date with BOY SODA

INSTAGRAM

LATEST WORK

Creative Team

PHOTOGRAPHER: SAMUEL BAMFORD

CREATIVE DIRECTORS: HAZE ALIEU / CAPRI 4K

FASHION STYLIST: JESSE GALE

BTS: BRANDON JOSEPH

HMUA: KAREEN HADDAD

LOCATION: H86 STUDIOS

Special Thanks

SUBTYPE

VAUCLUSE STUDIOS